I aim to create spaces that feel slightly warped, as if a personal memory has become unreliable and eroded over time. Fragmented representational forms emerge from abstraction, making settings and figures feel familiar yet distant. I work loosely, manipulating the viscosity of paint to build layered washes, then refine with organic, gestural brushstrokes to blur the line between reality and imagination. Preserving the physicality of paint is essential to my process, allowing it to remain active and authentic rather than controlled or overworked.
My practice is intuitive and accumulative, shaped by sketches, ideas, and patterns that coexist and evolve through revision. Uncertainty is embedded as a layer among the washes, and forms demand identity despite warping and weathering. The work resists clarity, remaining open to alteration through proximity and perception.
